|
 Armed with this outlook, Mayer knew CONTINUUM would tackle larger ideas than those that defined his previous albums. "A big challenge was writing about big themes," he says. "I'm not a better writer in terms of sitting down in front of a pad, but I'm better in terms of receiving inspiration and converting it into something 'real' quicker. I'm better equipped to deal with those moments." With "Waiting on the World to Change", Mayer shot for something even more ambitious - something like an attempt to explain his generation's attitudes about politics. "It's meant to shed a little light on inactivity and inaction," he says, "because I don't believe that inaction is disinterest, I think inaction is preservation – nobody wants to get involved in a debate in which the rules and the facts will change so that they'll lose. So we end up with this other option, which is, I guess we'll just have to wait for things to get better."
Having just announced a co-headlining tour with Sheryl Crow to help launch CONTINUUM, Mayer is raring to start playing his new material for an audience. "This record is infinitely playable," he says. "I built so many corners into these songs I cannot wait to play them live." Ultimately, CONTINUUM represents maturity, both musically and thematically, for John Mayer – a concept that he wasn't comfortable with until now. "A lot of these songs are about coming to terms with getting older," he says. "My generation was never told we were going to get older. We thought we were going to hear our names on 'Romper Room' for the rest of our lives. For a long time, I was really upset about getting older, worried that things were just going to level out. "But then I realized that everyone around me was all getting older at the same time. We're all fighting it together, and we're always going to be those kids, the first really emotionally aware generation. When I realized that, I could relax about it a little bit. And I thought that maybe I can be the guy to sing about it.
|
E-Mail Story
Print Story
